The parts you did came out the best
Wednesday, January 25, 2012
Wednesday, January 18, 2012
assembled corpse
Uh, so, this turned out kinda weird! It's all segmented-feeling, and I had to crop some stuff in order for it to be logical. We'll have to do another one when I visit this weekend.
Monday, January 16, 2012
Saturday, January 14, 2012
exquisite corpse
you draw below this? maybe with color. needs color
You are right, this IS confusing! haha :} you're up!
ok, now you again.
Friday, January 6, 2012
Cat Jobs and Cocteau day
Wednesday, January 4, 2012
home and more inspirations
I was home for about 10 days over Christmas, so I've been slacking! But now I'm back! And posting! Stuff!:
My sister got me this amazing Lucio Fontana book for X-mas. It was the bestest gift, because she's not into visual art so much, doesn't know this artist and all, so she did some detective work. I had seen plenty of his cut canvas pieces, but he did a lot of really interesting things with copper, etc. Thinking about negative space in ways that I've been wanting to investigate. He would sometimes cast little glazed, ceramic pieces for a work, like here:
Called "Concetto Spaziale (conceptual space), The Sky of Venice" Which got me thinking about Jim Hodges's work. Namely these pieces of scratched sky:
And some of his collage stuff:
And about how work can take on meaning with multitudes (hm that phrase sounds kinda nice). The more work you make- especially if you're making Minimalist work like this--the better chance there is for some kind of logic and meaning and understanding to come through. If I saw any one of these pieces by itself, I might not be that interested, but because there are a number of pieces with the same aesthetic, my interest piques up. Anyways, this is just me trying to understand why i've become drawn to this certain aesthetic of muted color palettes, central images, amoeba-like forms, etc. Like this stuff, which I found in a sketchbook:
Speaking of blobby monochromes, i took this photo when i was home, of our frozen cabin and I like it:
My sister got me this amazing Lucio Fontana book for X-mas. It was the bestest gift, because she's not into visual art so much, doesn't know this artist and all, so she did some detective work. I had seen plenty of his cut canvas pieces, but he did a lot of really interesting things with copper, etc. Thinking about negative space in ways that I've been wanting to investigate. He would sometimes cast little glazed, ceramic pieces for a work, like here:
Called "Concetto Spaziale (conceptual space), The Sky of Venice" Which got me thinking about Jim Hodges's work. Namely these pieces of scratched sky:
And some of his collage stuff:
And about how work can take on meaning with multitudes (hm that phrase sounds kinda nice). The more work you make- especially if you're making Minimalist work like this--the better chance there is for some kind of logic and meaning and understanding to come through. If I saw any one of these pieces by itself, I might not be that interested, but because there are a number of pieces with the same aesthetic, my interest piques up. Anyways, this is just me trying to understand why i've become drawn to this certain aesthetic of muted color palettes, central images, amoeba-like forms, etc. Like this stuff, which I found in a sketchbook:
Speaking of blobby monochromes, i took this photo when i was home, of our frozen cabin and I like it:
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